Thursday, March 7, 2013

"Mendocino" Featuring New Photographs & Oil Paintings by Gaétan Caron

 
Gaétan Caron (artist and co-owner of Lost Art Salon): 
Collecting fine art through Lost Art Salon mixed with the intimate relationship I have with Northern California continually inspires me to work on my personal creative expression.  Photography and oil painting have proven to be my preferred ways to express my connection to the land and document the beauty of inland Mendocino. The lengthy process of one medium over the immediacy of the other strike the right balance for me. Oil paint applied to a canvas reminds me of the meditative nature of hand molding clay, my first passion within the art world, and photography allows me to capture those unique moments when seasons are traveling through their cycles setting the light in harmony with the time of the day. I use the camera to reinvigorate painting, and my photography is in return enriched by the dialogue with painting.
2012 was a continued exploration into the world of abstract photography derived from nature using a new micro lens that enables me to get really close to my chosen motifs. The colors vary from bright and rich to neutral monochromatics found in barks, lichens, fruit, flowers, branches, weeds and grasses. 2012 was also the first time I visited Paris since I took on the art of painting with oil. My biggest surprise was the attraction I felt for the works of Impressionist painter Claude Monet (whom I was familiar with, of course, but had not had the recent experience of seeing his work in person). In addition to reading all I could on Monsieur Monet, I delved deeper into art history research on landscape paintings throughout ages and studied particularly the Group of Seven (The Algonquin School from Canada), the Hudson River School, several Maine landscape artists, George Inness, William Turner, Claude Lorrain, Arthur Mathews, and the Barbizon school of French painters.
I enjoy experimenting with the results I get from the technique of layering oil thinned with turpentine combined with impasto for texture to strike a balance between abstraction and figuration.
Number nine of a rural French-Canadian family of 10, Gaétan grew up in Québec, Canada. In 1999, he immigrated to San Francisco where he co-founded Lost Art Salon while helping his life partner restore their Mendocino heritage fruit orchard that was established by Portuguese settlers at the Turn-of-the-Century. This place is the center of his inspiration, creativity and spirituality – he calls it "The Land".



Tuesday, February 5, 2013

A Bay Area Figurative Artist Emerges


Swedish-Born Bay Area Figurative Artist, Anna Poole - 1960-2012


It's Anna's combination of hot and cool colors (evoking the clash of sun and sea) that first drew our attention. We then went on a fantastic journey through her extensive collection of works that captured a passion for the elements (water, land) and the human form. Painting after painting, the female form slowly materialized from the sea and land as if created by it and eternally fused with it. She re-imagined the classic Bay Area Figurative themes of water and bathing of Elmer Bischoff (1916-1991) with a sensual spirit and a primal energy.


Anna Poole graduated from the San Francisco Art Institute in the early 1980s and set up her life and studio in San Francisco. In addition to several one-woman shows in Bodega Bay and Freestone, group shows at San Francisco's Live Worms Gallery in North Beach,  and shows in her native Sweden, Anna opened her studio to visitors annually during the city's Open Studios event. For a big part of her life she lived on a houseboat in the San Francisco Bay together with her husband, Al, and also explored the Tropical islands of Panama in their sloop sailboat.  During their many sailing trips, Poole would paint from both the boat and the beach. Sometimes she painted images directly from nature in a realistic manner reminiscent of Winslow Homer. Other times she went deep into the water, rocks and shells, often taking the smallest natural form and giving it a mysterious, sculptural presence.